Technical topic -- The Regency East End

Someone asks --

In re the Regency East End ... Would you happen to have any book recommendations?




Indeed I do:

Berm, Chaim, London's East End, (mostly late Victorian Information.)

Gerzina, Gretchen Holbrook, Black London: Life before Emancipation.

Holmes, Thomas, London's Underworld.  here. 

Low, Donald, The Regency Underworld.

Victorian East London Dore

Mayhew, Henry, Mayhew's Characters.   (See also Quennell, Peter ed, London's Underworld.  This is a selection from Mayhew and available used and cheap.  Mayhew is written mid-century but info is earlier.  A lot of Mayhew's work is on the net. For instance --  here. )

Rose, Millicent, The East End of London. (I don't have this one myself, so I can't vouch for it, but I keep meaning to look it up in a library.)

Two Citizens, How to Live in London.  here.

Have a look at the maps here and here.


Here's a Victorian account:

We dismiss our cab: it would be useless in the strange, dark byeways, to which we are bound: natives of which will look upon us as the Japanese looked upon us the first European travellers in the streets of Jeddo. The missionary, the parish doctor, the rent collector (who must be a bold man indeed), the policeman, the detective, and the humble undertaker, are the human beings from without who enter this weird and horrible Bluegate Fields. 

We arrived at Whitechapel Police Station, to pick up the superintendent of savage London. He had some poor specimens - maundering drunk - in his cells already - and it was hardly nine o'clock. 

We plunge into a maze of courts and narrow streets of low houses - nearly all the doors of which are open, showing kitchen fires blazing far in the interior, and strange figures moving about. 

At dark corners, lurking men keep close to the wall; and the police smile when we wonder what would become of a lonely wanderer who should find himself in these regions unprotected. "He would be stripped to his shirt" was the candid answer - made while we threaded an extraordinary tangle of dark alleys where two men could just walk abreast, under the flickering lamps jutting from the ebon walls, to mark the corners.       Jerrold Blanchard, London: A Pilgrimage 1872

I feel like I gotta get up on one of my hobbyhorses here.

London workmen Victorian

The most important thing about the rookeries of London in 1802 -- and the Roman tenements in 79 AD and the slums of SE Washington DC in 1960 -- is that the denizens of the place were 'at home'.  They weren't dwelling in some landscape of horror. 

And they were ordinary folk.  The men and women in these stacked-up, decrepit buildings and dirty streets were ordinary, well-meaning, hard-working people, not monsters.  The violent gangs hanging out on street corners were a dangerous minority who preyed on and were hated by everyone else.  
 

Clothes sellers, late C19

When the heroine makes a wrong turn and ends up in a bad neighborhood, she hasn't fallen into a pit of vipers.  Those people passing her on the street, the ones living three flights up in every building, are no better nor worse than the well-dressed crowd she'd meet in Mayfair.  Her maidservant grew up a block to the left.  Her cook has a brother living down at the end of the alley and visits him every Sunday.  Your heroine's problem is not that the streets are populated with slavering hyenas.  It's that she's conspicuous. 

In My Lord and Spymaster I try to show the heroine as someone who comes from the mean streets, who understands them, who recognizes the dangers but doesn't see the place as some filthy hell filled with demons.

St Giles, in the Regency. See the streetlamp

The alley to the right was Dark Passage--and wasn't that a fine descriptive name?  To the left was Dead Man's Way.  Another piece of poetry.  When she was a kid she'd run this warren barefoot.  She knew these streets, knew every thin trickle of an alley that ran into Katherine Lane.  She'd been born in a grim little attic a dozen streets to the north.  Time was, she chatted friendly and easy with every beggar and pimp on the Lane.  She could have ducked into any of these taverns and been welcome to dry out by the fire.  Now she was a stranger.  Not Jess, any more.  Now she was 'Miss Whitby' and she didn't belong.  

and

From the outside, all rookeries look the same, but some are more dangerous than others. 
Ludmill Street was peaceable in its rough way.  Safe enough, if you knew what you were doing.  When a pair of Irishman approached, making monetary offers, she snapped back, sharp, in Italian.  They left her alone, thinking she belonged to the Italians.  There were lots of hot-tempered Italians in this section who didn't like even their whores approached by Irishmen.  A few hundred yards further on, she sent an Italian boy on his way with a Gaelic curse.  Lots of hot-tempered Irishmen in this quarter, too.  

When she got to the Limehouse, to Asker Street, it would be considerably more dangerous.  She'd be unwise to visit alone.   

Every illustration we have of the East End of London from the Regency period is someone from outside, making a point with his picture or his description.  Saying as much about himself as he does about what he's reporting.  Hogarth's Gin Lane is propaganda.  Propaganda from the good guys, but still, a selection of detail to make a point. Bob Dylan's 'Propaganda all is phony' sums it up.


How this relates to writing --  I'm good with 'she wandered into a bad section of town' trope as a reasonable way to put the heroine in peril.  But I regret when these scenes imply that the poor of London were a seething cauldron of evil into which she had incautiously been tipped.  I dislike the: 'they look like me and are well-dressed = good; They look different and are poor = rabid animals' equation because it strikes too close to attitudes from our own era. 

This is Bond Street.  Not as fancy as we imagine it.

If I wanted to research a scene in the East End in 1800 . . .   Yes, I'd go to books and learn the geography of the place and the physical conditions and the particular 1800-ish habits of the local criminals.   But I''d want to think about the bad sections of a modern city and the people who live there and how I'd represent the adventures of someone who walking into those streets.  When I exaggerate for high drama -- what am I saying about my character and myself?  When we're writing about the past, we're also writing about the present.

. . . much later ETA: 
I got a review on a short story of mine that said -- paraphrasing here -- "Your heroine falls on hard times and works in Whitechapel scrubbing floors.  I can't believe that.  Is 'scrubbing floors' supposed to be a euphemism?"
The implication is, all the thousands of young women in Whitechapel were whores.
The implication is, there were no respectable poor living in Whitechapel.
The implication is, poverty = depravity.

When we look at the past, we see our opinions and expectations reflected back at us.  
    

Art and Image Resources

Here's a list of places to find high quality, public domain images of historical costume, settings and objects.  I'm mostly interested in 1750 to 1830, so these will be best represented  

[ETA  -- now has both links and the URL printed out.]

Big Sites


Victoria and Albert Museum (allows use of museum images for noncommercial personal use.)
http://collections.vam.ac.uk/


Web Gallery of Art (These are all public domain.)
http://www.wga.hu/index1.html

Art Renewal (All public domain)
http://www.artrenewal.org/articles/Philosophy/AngelSpeech/angelspeech.php


The Artchive (These are all public domain, I think.  Browse by artist and title.  Get largest image by clicking to select, click on the blue line that says 'To order".  Then click on the painting.  Image has watermark.)
http://www.artchive.com/web_gallery/


The Louvre -- Virtual Visit (Groups images by time, place, and artistic school)
http://cartelen.louvre.fr/cartelen/visite?srv=col_frame

The Louvre -- Search the Collection (Type a word into the search box)
http://cartelen.louvre.fr/cartelen/visite?srv=crt_frm_rs&langue=en&initCritere=true

Base Joconde (Searches all the museums of France.  This is in French, so use babelfish for the search term.  Type search term into the box on the lower right and tick avec image.) 
http://www.culture.gouv.fr/documentation/joconde/fr/pres.htm


New York Public Library Digital Image Collection
(You can limit this by date.  See the lower part of the search parameters.) 
http://digitalgallery.nypl.org/nypldigital/dgadvsearch.cfm

Metropolitan Museum of Art (The Met approves scholarly, noncommercial use with attribution and link to Met.)
http://www.metmuseum.org/works_of_art/collection_database/

Flickr  (On the bottom of the form, click to search creative commons photos only.  These CC images must be attributed.)
http://www.flickr.com/search/advanced/?

(You can copy creative commons icons here.
http://commons.wikimedia.org/wiki/Creative_Commons_icons)

Hermitage Museum (Does not expressly allow scholarly posting, but many are public domain.  Images said to be invisibly watermarked.)
http://www.hermitagemuseum.org/fcgi-bin/db2www/advanced.mac/step1?selLang=English

The British Museum (Approves noncommercial scholarly uses.  Mark images copyright British Museum)
http://www.britishmuseum.org/research/search_the_collection_database.aspx


Boston Museum of Fine Arts
http://www.mfa.org/search/collections

National Portrait Gallery  (Can be searched by date to find public domain.)
http://www.npg.org.uk/collections/search/advanced-search.php

Brighton Museum 
http://searchcollections.brighton-hove-rpml.org.uk/

Yale  (250,000 images on line, all expressly free for use.)
http://discover.odai.yale.edu/ydc/Search/Results?lookfor=&type=allfields&filter%255B%255D=resource_facet%253A%2522Resource%20available%20online%2522

Yale Center for British Art
http://britishart.yale.edu/collections/search
With its cool search engine and many public domain images.c

Wikipedia  (All the images on Wikipedia are either Public Domain or have been placed in all-use, non-attribution Creative Commons or equivalent.  When you search a topic, check the bottom of the page for a notice saying 'Wikimedia Commons has media related to . . . '.   To specifically search Wikimedia, the entry page is here.  http://commons.wikimedia.org/wiki/Category:Pictures_and_images )

British Paintings Online
http://www.bbc.co.uk/arts/yourpaintings/
There are over 200,000 of them.  Just wonderful. 


Web Gallery of Art  (Again, these images are public domain)
I had just a terrible time finding the 'search' feature.  Go to Gallery and the search tab is at the bottom of the page.  Not a bad search engine once you find it.
http://allart.biz/


Art.com  This is a commercial site, beautifully searchable by subject.  Many are Public Domain, but a good many are copyright, so you have to use common sense. If possible, search here to find the works, then find the image at a site with better resolution. 
http://www.art.com/


Smaller Sites

The Noel Collection (Allows use of images with acknowledgement of source and a link back) http://jamessmithnoelcollection.org 
The page is here. 

Brooklyn Museum (Non-commercial use of images permitted, with attribution, as Creative Commons.  Yeah Brooklyn!)
http://www.brooklynmuseum.org/opencollection/search/?advanced

The Tate   (No explicit permission for image use for scholarly purposes, but many images are public domain.  Images tend to be poor quality.)
http://www.tate.org.uk/collection/

The National Trust Museum of the U.K.  (The museum forbids use without licensing.  Images tend to be small and poor quality.  They have some public domain images.)
http://www.nationaltrustcollections.org.uk/

Olga's Gallery (Russian oriented)
http://www.abcgallery.com/

Crocker Art Gallery (Only about 500 items.  Strong on California.)
http://www.digitalcrocker.org/DCG/main.php

Tufts Bolles Print Collection (Not indexed or searchable that I can see.  Try it out to see if it matches your interests.)
http://dl.tufts.edu/view_collection.jsp?pid=tufts:UA069.006.DO.MS004&page=1&cmodel=info:fedora/cm:Image.4DS:::info:fedora/cm:Image.3DS&sel=image

LACMA, (wide range of European and American artworks.  Searchable.) the Los Angeles County Museum of Art, has a goodly number of searchable images.   The search engine includes a parameter for selecting date.  Many public domain images.
http://collections.lacma.org/
 
Greypony  (Mainly C18 and C19.)
http://www.flickr.com/photos/12946229@N05/



Scholar's Resource  (Small images only, but it says where the site got them so most can be tracked down in larger format.)
http://www.scholarsresource.com/browse/classification/1?page=1

Romantic Query Letter (Not indexed.  Cool pictures.)
http://theromanticqueryletter.blogspot.com/

Getty Images  (On the advanced search page, click 'Creative stock images' and 'All royalty-free collections'.  Each image has release information below the image.  Read the license agreement.)
http://www.gettyimages.com/Search/AdvancedSearch.aspx
Similar to Getty is Diomedia here.   There are other stock image collections as well.

Old Paint Now here. (Searchable for keyword in box at upper left.  Searchable by date on left sidebar.  Some are not public domain.)
http://oldpainting.blogspot.com/
http://oldpainting.tumblr.com/

The Blue Lantern (Searchable for keyword in box at upper left.)
http://thebluelantern.blogspot.com/

Japonisme (Searchable for keyword in box at upper left.  Original photos are copyright to site.  Prints are copyright as per date of creation.  Many are public domain.)
http://lotusgreenfotos.blogspot.com/

Res Obscura (Another small blog of interesting Public Domain images.)
http://resobscura.blogspot.com/

Pre Raphaelite Art   (Searchable for keyword in box far at lower left.  These are old enough to be public domain.)
http://preraphaelitepaintings.blogspot.com/

Art Experts (A wide and interesting collection, searchable only by artist's name.  But LOTS of minor artists.)
http://www.artexpertswebsite.com/pages/artists.php

100 Years of Illustration (Vintage magazine covers and Adverts.  I'm assuming these are all pub dom on the site.)
http://giam.typepad.com/100_years_of_illustration/

National Education Network (These images are for educational use.  Interpreted broadly, this should include blogging on historical topics.)
http://gallery.e2bn.org/search.php

National Gallery of Australia  (search by keywords.  Set for list+image.  No express permission for scholarly use, but many are public dom.)
http://artsearch.nga.gov.au/

National Gallery of Ireland (Search by artist or date of artwork.)
http://onlinecollection.nationalgallery.ie/search/advanced/Objects;jsessionid=07866704D872FEF8832F34044A5D0F14?t:state:flow=696c0767-314f-4274-86ce-85f48b6e642a

Museum of the City of New York  (Lovely powerful search engine.  See the 'rights&reproductions tab at the top. Though they attempt to restrict use of public domain work, they have no right to do so.)
http://collections.mcny.org/C.aspx?VP3=CMS3&VF=MNY_HomePage#

Powerhouse Museum Collection  (Many creative commons images, but you have to check each image.)
http://www.powerhousemuseum.com/collection/database/

Kunst Historisches Museum (This is German, so use babelfish to translate your search term.  No express permission for scholarly use, but many are public dom.)
http://bilddatenbank.khm.at/

Henry Luce Center for the Study of American Culture
(New York Historical Society's eMuseum.  No express permission for scholarly use, but many images are public dom.)
http://emuseum.nyhistory.org/code/emuseum.asp?style=Browse&currentrecord=1&newprofile=objects&newpage=search_basic&newvalues=1

Canadian Museum of Civilization    (No express permission for scholarly use, but many are public dom.)
http://collections.civilization.ca/public/pages/cmccpublic/emupublic/AdvQuery.php?lang=0

Musee McCord  or here on Flickr.  (Images may be used for educational purposes under the terms of use.)
http://www.mccord-museum.qc.ca/en/keys/collections/
or
http://www.flickr.com/photos/MuseeMcCordMuseum/

The Winterthur Collection  (No express permission for scholarly use. A few are public domain.)
http://museumcollection.winterthur.org/

Royal Ontario Museum  (No express permission for scholarly use, but many are public dom.)
http://images.rom.on.ca/public/index.php?function=home&sid=&ccid=

Anne Brown Military Collection  (Collection of military images, many pub dom.) 
http://dl.lib.brown.edu/catalog/catalog.php?verb=search&task=setup&colid=13&type=basic

The Athanaeum (Should be public domain.  Searchable.)
http://www.the-athenaeum.org/art/

Dobedobedo (Random but interesting.)
http://www.stumbleupon.com/stumbler/dobedobedo/all/

Madame Guillotine  (Women's C18 clothing.  All pub dom.)
http://madameguillotine.org.uk/

Victorian and Edwardian Paintings (Public Domain paintings and photos. )
http://goldenagepaintings.blogspot.com/

Creative Spaces (Searches several British museum data bases at once.  The individual sites have more thorough search engines.)
http://vna.nmolp.org/creativespaces/?page=home

Geograph Britain and Ireland These photos of British Isles places -- and many of them are just lovely -- are Creative Commons.
http://www.geograph.org.uk/

BibliOdyssey (Great images from old books and prints, almost all public domain.)
http://bibliodyssey.blogspot.com/ 

Do you know other collections of historically interesting images?
Please share.

And back to some questions

attribution glassandmirror

In the continuing, I-will-answer-stuff mode, let me pull up a few more questions and, like, answer them.

These questions are about the Spymaster fictive universe.

The next lot of questions will be about Forbidden Rose, but I want to wait a while until some folks have read it.

17) Do you have a formal background in history?

Bibliography of Romance Novels

In re the Academic Study of Romance.
For all you home gamers:

Here -- I don't know how long this will be posted so you may want to copy it -- is the
Supplemental Reading List for Yale College seminar, “Reading the Historical Romance Novel”  Instructors: Andrea DaRif (Cara Elliott) and Lauren Willig

Technical Topics -- Historical Words for Explicit Content

In the interest of providing useful bibliographies . . . here's a list of references for  words in use in the Regency Period for explicit behavior.

You'll note a good many of these works are fifty or sixty years after the Regency. If you find a promising word or phrase in some later reference, you'll need to go back and check it.

Educated folks would have also read French and Latin erotic classics. The Satryicon was available in German in the Regency era, for instance.

The Slang Dictionary. Hotten. 1859. Here.

Grose's Classical Ditionary of the Vulgar Tongue. Pierce Egan. 1823. here.

A Physical View of Man and Woman in a State of Marriage. de Lignac. 1798. Here.

Dictionary of Slang, Jargon and Cant. Barrere and Leland. 1889 Here.

The Works of Francis Rabelais. Here .

Slang. Badcock. 1823. Here.

A Dictionary of Slang, Jargon and Cant. Leland. 1890. Here.

Philosophy in the Bedroom and 120 Days of Sodom. De Sade Here.

The Lustful Turk. John Benjamin Brookes. 1828. Here.

A Night in a Moorish Harem. Anon. 1896. Here.

Aphrodisiacs and Anti-aphrodisiacs. John Davenport. 1869. here.

Autobiography of a Flea. Anon. 1901. Here.

My Secret Life. Anon. 1888. Here.

The Kama Sutra of Vatsayayana. Richard Burton. Here.

Liber Amoris or the New Pygmalian. William Hazlitt. 1823.here.

The London Bawd. Anon. 1705. here.

Memoirs of a Young Rakehell. Guillaume Appollinaire. 1907.Here.

The New Ladies Tickler. Anon. 1866. Here.

The Romance of Lust Anon. 1873. Here.

The Three Chums. Ridley. 1882. Here.

The Way of a Man with a Maid. Anon.
I don't know where this is free online, but it can be downloaded for a small fee several places.

ETA:

I'd recommend picking up C18 and C19 erotic wordage from the period literature rather than period dictionaries.

The couple few C18 slang 'dictionaries' are irreplaceable for confirmation of earliest date.
They're less reliable for showing usage.

What it is -- these early dictionaries were intended for entertainment rather than scholarly reference. They conflate clever one-offs, (a good many created by the author, I suspect,) with true slang.

So it's cute to call a coachman a 'Knight of the Whip'? as per Grosse, but it sounds like literary affectation, not what one character could say to another. And calling a whore an 'Athanasian wench'??
Not so much.

The slang, 'blowen' -- meaning a woman -- gets 630 hits on googlebooks for the 1700-1830 time period. 'Athanasian wench' appears only in Grosse.

So I'd pull erotic usage out of the literature and then check the dctionaries for confirmation.  Or googlebook search.
I am just in love with googlebook search.

A little list of C18 Blogs

Passing this along from the great C18 Woman List . . . a few excellent blogs maintained by C18 re-enactors:

http://18thccuisine.blogspot.com/
http://furtradeclerk.blogspot.com/
http://mrswoffington.blogspot.com/
http://recreatedelephant.blogspot.com/
http://slightly-obsessed.blogspot.com/
http://manskerman1780.blogspot.com/
http://woodsrunnersdiary.blogspot.com/
http://people.csail.mit.edu/sfelshin/18cWoman/source-list.html


What we have here are great sources of nitty-gritty for anyone writing in, (or just interested in,) the Eighteenth Century.

A few more blogs of interest:

This one has lovely paintings of C18 women in America.
http://b-womeninamericanhistory18.blogspot.com/

This one sells reproductive C18 stuff. Has pictures.
http://www.jastown.com/blog//

Movies about writers

A list of movies about writers. Here.